从奥古斯特·威尔逊《藩篱》看空间的流动性与黑人身份重构

Looking at Space from August Wilson's Hedge Liquidity and Reconstruction of Black Identity

奥古斯特·威尔逊作为驰名中外的卓越戏剧家,通过对非裔美国人入木三分的刻画,为读者重现了美国黑人的生活处境。对美国黑人戏剧化的渲染以及为美国黑人发声,使威尔逊的作品成为美国戏剧不可或缺、充满活力的一部分。威尔逊的《藩篱》(Fences)描述了中年黑人特洛伊·马克森在狭窄的物理空间追求体面生活,几经挫折,最终重建黑人身份。

Augustine Wilson, as a well-known Chinese and foreign outstanding dramatist, reproduced the life situation of black Americans through the description of African-Americans entering the woods. The dramatic rendering of black Americans and the voice of black Americans make Wilson＇s works an indispensable and energetic part of American drama. Wilson＇s Fences depicts middle-aged black Troy Maxon＇s pursuit of a decent life in a narrow physical space, his frustrations and his eventual rebuilding of black identity.