摘要
"回归本体:广东新时期抽象型艺术溯源"由杨小彦、叶向明、胡斌联合策展,展览按照历史发展的线索遴选了国内近40位艺术家,以呈现独特的时代特性。在20世纪中国艺术讲求实用主义的价值取向中,抽象艺术更像是一股潜流,经历了较长时期的沉寂。而在新时期,抽象艺术成为新一代具有探索精神的艺术家中敢于突破传统桎梏具有象征意味的前卫风格。
Returning to Ontology： Tracing the source of abstract art in the new period of Guangzhou is jointly curated by Yang Xiaoyan, Ye Xiangming, Hu Bin. According to the clues of historical development, this exhibition has selected about 40 artists in China, demonstrating the unique epochal character. In 20th century, when the value of Pragmatism was stressed, Abstract Art is more like the undercurrent experiencing a long period of silence. However, in the new period, Abstract Art has become a symbolic avant-garde style of the artists with exploring spirit who dare to break away from the restriction of tradition.
出处
《当代美术家》
2018年第5期52-54,共3页
Contemporary Artists
关键词
抽象艺术
前卫
中国抽象主义
Abstract Art
avant-garde
Chinese Abstractism
