论鲁迅、赵树理、莫言写作身份的建构

On the Construction of Writing Identity of Lu Xun, Zhao Shuli and Mo Yan

在中国现当代文学史上,写作者身份的建构不仅是作者写作意愿的主动选择,也受到时代语境对作家的规约以及文学自身嬗变内在规律辖制。鲁迅一代小说家"启蒙者"写作身份的建构、赵树理"工农兵"代言人写作身份的自我认同,以及莫言"作为老百姓"写作身份的自我认领,揭示出二十世纪中国作家写作身份建构的进路。作家写作身份的不同,为他们创作的主题选择、语言表达、修辞风格等,都带来极大的可辨识性。莫言把自己的写作身份定位于"作为老百姓",从而规避了道德崇高化带来的写作束缚,为文学写作的个人化修辞开辟了新的进路。

In the history of modem and contemporary Chinese literature, the construction and identification of authorship status is not only the active choice of the author＇ s writing intention, but also contains the internal rules of the writer＇ s statute and the evolution of literature itself. The construction of the writing identity of ＂enlightenment＂ of Lu Xun＇ s novelist, the self- identification of the writing identity of Zhao Shuli＇ s ＂worker-peasant soldier＂ spokesperson, and Mo Yan＇ s self-recognition of writing identity ＂as the common people＂ reveal difficult approaches of the writing identity construction of Chinese writers in the 20th century. The differences in the writers＇ writing identities bring great differences to their respective rhetorical adjustments, thematic expressions, language choices, and narrative styles. Mo Yah positioned his writing identity as ＂ ordinary people＂ . This circumvented the writing restraint which was brought about by the loftiness of morality and opened up a new path for the personal rhetoric of literary writing.