摘要
刘逢禄吸收考古与审音两派的成果,形成自己古韵二十六部体系;尽管刘氏将入声独立,但是阳、入之间并不相通,阳声需要转入阴声才能与入声韵部发生关系,可见其古韵体系乃折中考古、审音两派成果而成;刘逢禄的阴声、阳声韵部为黄侃完全继承,入声韵部的分合也多有启迪后学之处;刘氏通过对黄侃派学者的影响,推动了清末民初古音学的发展。
Absorbing the achievements of archaeological and phonetic factions, Liu Fenglu formed the system of twenty - six types' ancient rhymes. Although Ru rhyme was separated by Liu, there's no connection between Yang and Ru rhymes. Yang rhyme should change over to Yin rhyme first before it associated with Ru rhyme. It follows that the system of ancient rhyme was a compromise of are archaeological and phonetic factions. Yin rhyme and Yang rhyme of Liu were fully inherited by Huang Kan, and Ru rhyme inspired later studies. Impacting scholars of Huang Kan school, Liu pushed forward the development of phonology in late Qing and early republic of China.
作者
任翔宇
REN Xiang-yu(Ningde Normal University,College of Languages and Cultures Ningde 352100,China)
出处
《哈尔滨师范大学社会科学学报》
2018年第5期90-93,共4页
Journal of Social Science of Harbin Normal University
基金
宁德师范学院人才引进项目"<黄侃声韵学未刊稿>研究"(2015Y03)
关键词
刘逢禄
古韵分部
历史影响
Liu Fenglu
ancient rhyme division
historical influence