城市、传播与艺术:“七十二家房客”现象的文化思考

City,Communication and Art: Cultural Reflection on the Phenomenon of 72 Tenants

1958年,上海人民滑稽剧团推出滑稽戏《七十二家房客》,2017年,上海SMG影视剧中心再续经典,拍摄沪语贺岁剧《七十二家房客》。六十年间,中国先后出现多部冠以"七十二家"的同名作品,涵盖戏剧、影视多种艺术样式,发展为沪港穗三地长盛不衰的经典作品,形成别具特色的"七十二家房客"作品谱系。文章立足历史的、艺术的和传播的研究视角,从艺术经典生成、城市文明互动、作品跨界改编、传统守成创新等四个维度,力图还原"七十二家房客"现象形成的历史语境与逻辑过程,探析该剧半个多世纪的艺术传奇与创作规律,揭橥该现象的多维成因与深远影响,为经典艺术作品创作及其续写,提供有益镜鉴。

The Shanghai people＇ s Comic Troupe launched the comic drama 72 tenants in 1958 . About 60 years later, the SMG continued its classics to show 72 tenants in TV series. During the period, there has appeared several works of the same name as 72 tenants, covering various artistic styles of drama and film and television in China. Meanwhile, It has developed into the classic works of Shanghai and Hong Kong and Guangzhou,came into being the pedigree of the unique 72 tenants. This paper is based on the perspectives of historical, artistic and communication studies, conducts the research from four dimensions ： the formation of art classics, the interaction of city civilization, the transboundary adaptation of the works, and the innovation of traditional conservatism. This paper tries to restore the historical context and logic process of the phenomenon of 72 tenants, explores the artistic legends and creative laws of the play for more than half a century, reveals the muhidimensional causes and far - reaching influence of the phenomenon, provides useful experience？ for the creation of the classical works of art.