少数民族题材纪录片的叙事美学——以央视纪录片《十八站》为例

Narrative Aesthetics of Minority documentary——Take CCTV Documentary《18 Stations》as an Example

在当前纪录片类型化创作的浪潮中,快节奏、高强度、戏剧化叙事成为纪录片创作的主要语态,少数民族题材纪录片由于其特殊的民族学特性,另辟蹊径形成独特的叙事美学。中央电视台纪录频道少数民族题材纪录片《十八站》将鄂伦春民族置于现代社会的语境之下,力求真实、客观地记录当代鄂伦春人世俗化的生活现实和内心世界,展现时代发展中的族群变迁。文章从《十八站》的创作研究入手,探讨少数民族题材纪录片的叙事美学。

in the current wave of documentary gemre citation, fast - paced, high - intensity, dramatic narration has become the main voice of documentary citation. The unique narrative aesthetics is formed by exploring a new way. The documentary ＂Eighteen stations＂ on minority subjects in the documentary channel of China Central Television records the Oroqun nationality under the context of modem society and strives to record the secular reality and inner world of the contemporary Orochun people in a real and objective manner. To show the changes of ethnic groups in the development of the times. This paper discusses the narrative aesthetics of minority documentaries from the perspective of the creation of Eighteen stations.