电影《芳华》的形式策略与文化意蕴

Form Strategy and Cultural Implication of the Film Fanghua

电影《芳华》一方面抓住军队文工团这一特定公共空间,着力展现"红色"基调,为观众呈现出1970年代到1980年代军队文工团风华正茂的少男少女们的第一生活现场;另一方面,导演冯小刚在尊重作家严歌苓原著的基础上,择取了一系列先锋性与新写实色彩的意象事件,对情节叙述方式进行了再创造。此外,影片蕴含了深刻的哲学和文化意蕴,既隐含着深刻的政治哲学话语,也有着对大众心理特征的揭示,同时充满了存在主义哲学意味。

In the film Fanghua the specific public space of the military art troupe is fully used to reveal its focus of＂red＂ tone, presenting the audience with the first living scene of the boys and girls from the 1970s to the 1980s. On the other hand, on the basis of respecting the original work of Yan Geling, the director Feng Xiaogang chose a series of imagery events of avant-garde and new realistic colors to recreate the narrative style. In addition, the film contains profound philosophical and cultural implications, which not only implies profound political philosophical discourse, but also reveals the psychological characteristics of the public. At the same time. it is rich in meaning of existential philosophy.