少数民族传统戏剧的时代创新——以《钓鱼城》为鉴

The Development and Innovation of the Traditional Drama of Ethnic Minorities:Taking the City of Fishing as a Reference

创新发展是当下民族传统戏剧走出困境的唯一选择,但是对于民族传统戏剧如何创新当下还在实验探索中,并没有形成完全可行的有效模式。得到各方面认可的民族歌剧《钓鱼城》可谓是民族艺术创新的典范,为民族传统戏剧的发展创新提供了很好的范例。以《钓鱼城》为鉴,可以看出民族传统戏剧的创新发展既要坚持民族特色,也需要在思想性、观赏性、艺术性等方面全面创新。进行各方面的创新尝试和努力是当前民族传统戏剧创新发展的基本思路。

Innovation and development is the only option for the current traditional drama to get out of the difficult position. However, how to innovate the traditional drama is still in the experimental exploration, and no effective and feasible mode has been formed. Get the recognition of the national opera ＂fishing city＂ is a national art innovation model, provides a good example for the development and innovation of national traditional drama, the ＂fishing city＂ for reference, innovation and development of traditional drama can be seen not only adhere to the national characteristic, also need in the ideological,ornamental, the art of the all-round innovation, carry out all aspects of innovation and hard work are basic ideas of the development of traditional drama innovation.