音乐人类学视域下的少数民族音乐史研究

Research on Music History of Ethnic Minorities from the Perspective of Music Anthropology

少数民族音乐作为我国音乐领域中重要的艺术形式,其独有的历史文化底蕴和悠久的历史渊源是我国音乐文化史的重要特征和重要媒介。伴随音乐人类学在我国的不断探究和深入发展,少数民族音乐与世界音乐的结合已渐入佳境,中西方音乐的深入融合和紧密交流以及学者对音乐人类学的研究推动了我国少数民族音乐的持续发展。新环境下,根据音乐人类学理论观点,使用科学的方法和实际的案例,从发展的方面剖析和探讨音乐人类学发展下的中国少数民族音乐,对加快中国少数民族音乐的继承和弘扬具有深远意义。

Minority music being an important art form in the field of music major in our country, its unique historical culture and long history, is an important characteristic of Chinese music culture and important medium body. Accompanied by music anthropology continuously explore and in-depth development in our country, the combination of China＇s ethnic minority music and world music already get, the deeper integration of Chinese and western music and close communication and scholar of music anthropology research promote the continuous development of China＇s ethnic minority music. Under the new environment, according to the theory of music anthropology perspective, the use of scientific methods and actual case, the analysis and understanding of music anthropology from the aspects of the development of the development of China＇s ethnic minority music, to inherit and carry forward to speed up the Chinese national music has far-reaching significance.