摘要
昆明西郊白族为适应多民族共存的现实,在保存、传承本民族艺术部分内涵的同时,还吸纳其他民族或地域性文化因素,生动地体现了艺术建构"你中有我、我中有你"的水乳交融状态。随着城市化进程的推进,为争取社会资源和优惠政策,在与大理"老家"的互动中,昆明西郊白族社区不断保持、引进、创新白族文化,突显民族特点,强化民族认同,并通过"传统的发明",以民族艺术中典型符号"霸王鞭舞"的兴起和发展为特征进行艺术建构,进一步推动以文化认同为主的民族认同。提升白族群众的文化自觉和民族认同感,将有助于提升民族凝聚力,促进白族社区和谐发展,实现与民族艺术建构、传承的良性互动。
In order to adapt the multinational coexistence, other ethnical or territorial culture has been absorbed in the process of the own culture's inheritance, which reflects the blending characteristics of Bai nationality in the Western Suburb of Kunming. Along with the development of urbanization, the Bai nationality imports and innovates ethnic culture constantly in order to strengthen ethnic identity, construct art and show ethnic characteristics by introducing the Bawang-Stick Dance.To enhance the cultural consciousness and ethnic identity of Bai nationality will contribute to the improvement of the ethnic cohesion, harmonious development of the communities and optimum interaction between art construction and inheritance.
作者
王俊
WANG Jun(Social Sciences of Yunnan Academy,Kunming,Yunnan 650034,China)
出处
《贵州民族研究》
CSSCI
北大核心
2018年第8期129-134,共6页
Guizhou Ethnic Studies
基金
2015年度国家社科基金"云南城市民族关系调查研究"(项目编号:15XMZ008)的阶段性成果
关键词
城市民族
民族艺术
建构
传承
白族
Urban nationality
Ethnic art
Construction
Inheritance
Bai nationality