从黄牧甫到李尹桑——论李尹桑印风形成、发展及印学观之嬗变

From Huang Mufu to Li Yinsang——On the Formation,Development and Transmutation of the seal Style of Li Yinsang

民国时期的岭南篆刻家追慕黄牧甫印风,举办印人雅集活动。他们立足于岭南,成立印社,逐渐形成以金文、古玺入印的印学审美观。民国时期岭南地区的黟山派印人,李尹桑是嫡传弟子,他篆刻的创作实践与印学审美分别经历了不同的阶段,从他的印风与审美思想的嬗变,勾勒出民国时期岭南地区黟山派印学发展的大趋势与印学思潮的趋向,从而进一步给予李尹桑的金文、古玺文入印的篆刻创作一个基本的价值定位。

During the period of the Republic of China,the Lingnan sealer chased Huang Mufu＇s seal and held an elegant collection of Indian people.They established the seal society based on Lingnan and gradually formed an aesthetic concept of printing with an ancient seals.During the period of the Republic of China,Li Yinsang,an seal from theYi Shan group in the Lingnan area,was a disciple of the biography.His creative practice and the aesthetic of printing respectively went through different stages,from the change of his printing style and aesthetic thought.The author can basically outline the general trend of the development of theYi Shan group of printing in the Lingnan area during the period of the the trend of Yishan group,and it＇s thought of seal,so as to further give Li Yinsang＇s Jin Wen and Guxi Wen a basic value orientation for the seal engraving creation.