摘要
中国当代家具设计面临着诸多问题如自主创新能力匮乏,单纯的传统元素拼贴,古典风格和传统内涵的理解误区,个性模糊以及设计观念苍白等。而随着消费升级,家具市场仅靠规模和低质低廉已远远不足以满足消费需求及推动产业的发展,设计及设计批评在产业中的作用越来越明显,以设计带动家具产业的转型升级,以设计批评促进设计决策和研究。对此,围绕功能意识、审美意识、伦理意识三个维度对中国当代新中式家具设计进行批评和分析。为寻找中国的家具设计道路和定义"中式"提供理论参考。
Chinese contemporary furniture design faces many problems such as the lack of independent innovation ability, simple collage of traditional elements, misunderstandings of classical styles and traditional connotations, vague personality, and ambiguous design concepts. With the upgrading of consumption, the furniture market alone is not enough to meet consumer demand and promote the development of the industry because of its scale and low quality and low cost. The role of design and design criticism in the industry is more and more obvious. Design promotes the transformation and upgrading of the furniture industry and design criticism promotes design decisions and research. Focusing on the three dimensions of function, aesthetic and ethics, this article criticizes and analyzes the New Chinese-style furniture design in China. It provides a theoretical reference for finding Chinese furniture design road and defining "Chinese style".
出处
《设计》
2018年第17期42-43,共2页
Design
关键词
新中式家具
设计批评
设计伦理
New Chinese-style furniture
Design criticism
Design ethics