摘要
美国作家埃德加·爱伦·坡开创了短篇小说和侦探小说的先河,《黑猫》是其短篇恐怖小说的代表作之一,在对爱伦·坡作品研究的热潮中,从读者角度进行的研究虽然有限,但却是十分必要的。文章对《黑猫》进行了读者反应批评解读,主要应用斯坦利·费什的感受文体学理论分析读者在阅读时间流中对文本的反应,来重构《黑猫》的恐怖价值。此研究从一个全新视角审视文学作品,提高读者在二次创作中的地位,剖析爱伦·坡作品经久不衰的原因。
Edgar Allan Poe,American writer,started short story and detective fiction,where “The Black Cat” is one of his masterpieces. Among all the hot researches,reader response is employed less frequently but it is a necessary perspective. With reader response interpretation perspective,the value of fears in “The black Cat” are reconstructed mainly with Stanley Fish’s theory of sensory stylistics reflecting readers’ response to the text while reading. A new perspective is used to interpret the novel,promoting readers’ status in the second creation,by which the reason why Allan Poe’s novels keep popular is revealed.
作者
任凌珊
REN Ling-shan(Starts Institute of Minjiang University,Fuzhou 350108,China)
出处
《哈尔滨学院学报》
2018年第10期111-114,共4页
Journal of Harbin University
关键词
统一效果论
读者反应批评
感受文体学
读者
unified theory of effect
reader response criticism
sensory stylistics
readers
