《文心雕龙》的文体概论

An Introduction to Stylistic Features of Dragon-carving and the Literary Mind

《文心雕龙》的文体论有非常明确的批评方法,即原始以表末、释名以章义、选文以定篇、敷理以举统,这种批评方法在其文体概论中得以充分的展现。从总体上看,其文体概论主要从四个方面入手展开论述:一是从文体源流的角度切入,概论各类文体的源流演变;二是从文体规范入手,概论各类文体的写作标准和要求;三是从文体辨析的角度入手,论文叙笔,囿别区分;四是从文体与其他文学要素的关系入手,论辨文体与文辞气力及文势的关系问题。这些论述都极为深刻,在文体学研究方面具有特殊的价值和意义。

Dragon-carving and the Literary Mind has a very clear criticism method, which is described as the original with the end of the table, the interpretation with the name of the chapter, the selection of the text to determine the text, and the application of the theory to uphold the system. This kind of criticism method has been fully demonstrated in his literary form conspectus. In general, the literary form conspectus is mainly discussed from four aspects. Firstly, from the perspective of stylistic origin, it introduces the origin and evolution of various styles. Secondly, starting from the stylistic norms, it introduces the writing standards and requirements of various styles. Thirdly, from the point of view of stylistic differentiation, the essay narrates and makes distinctions. Fourthly, starting from the relationship between literary style and other literary elements, it discusses the relationship between literary spirit and literary style. These treatises are very profound and have special value and significance in stylistic research.