民国时期男性影星的审美性研究

The Aesthetics of Movie Actors in the Republic of China

男性影星作为明星群落的一大组成部分,在被看的视阈下多处于被动地位。民国时期,男影星的诞生比女影星要早,但其关注度不及女影星。男性影星的或显或隐凸显出特定时代的文化形态。透过众多银幕形象,可以观察大众审美观念的差异与变化,并剖析男星群落代表的审美文化符号、性别文化标签和社会意识之内涵。在民国影像的"秩序场"内,男星群落为中国早期明星制的完善奠定了基础,其审美辐射与审美价值更彰显出潜在的"美感"。

As a part of the star industry, movie actors play a passive role under the gaze of the public. In the Republic of China, movie actors gained less attention than actresses. The gaze upon them reflected the changes in the public opinions. Movie actors represented the aesthetics, gender construction, and social consciousness of their time, and laid the foundation for the early Chinese star system.