中国钢琴独奏作品创作百年回顾与启示

Review and Enlightenment of 100 Years of Chinese Piano Solo Works Composition

钢琴约在17世纪就传入中国,但和中国音乐的真正结合,还要从1840年鸦片战争爆发后,一批音乐教育爱国之士抱着学习西方音乐文化和开办学堂后开始的,并且以赵元任于1913年根据中国传统曲调创作的《花八板与湘江浪》为标志。经过近百年的发展,创作了大量优秀的具有中国风格的钢琴作品。从中国的钢琴创作过程和特点来看,体现了从对西方作曲技法的模仿和中国音乐元素的初步结合开始,到经过不懈的努力,发展成为大胆运用现代作曲技法与中国风格相结合的多元化发展和空前繁荣的特点。

Although the piano has been introduced to China since about the 17th century, its real combination with Chi- nese music stared from the outbreak of the Opium War in 1840 when a group of patriots in the educational and musical fields began learning Western music and establishing schools, with the symbol of the Hua Ba Ban and Xiang Jiang Lang, composed by Chao Yuen-ren in 1913 based on Chinese traditional genre. After a hundred years of development, a large amount of ex- cellent piano works with Chinese style have been created. Seen from the process and the characteristics, Chinese piano work composition started from imitation of the Western composing techniques integrated with Chinese musical elements; after un- remitting efforts, now it sees the diversified development and unprecedented prosperity characterized by the integration of mod- em composing techniques and Chinese style.