论江文也《台湾舞曲》的旋律语汇与配器风格

On the Melodic Language and Orchestration Style of Orchestral Piece Taiwan Dance Composed by Wenye Jiang

近代台湾作曲家江文也的《台湾舞曲》是第一部在正式国际比赛中获奖的中国管弦乐作品。它具有多元化的艺术风格:其一,作曲家将西方的大、小调式和日本调式的特点融入中国五声性民族音调中,形成个人的旋律语汇;其二,塑造了中国管弦乐与20世纪初西方"印象主义"乐派相近的配器风格。由此奠定了它在中国交响乐史上的重要地位。

Taiwan Dance by modern Taiwan Residents composer Wenye Jiang is the first Chinese orchestral work to win an award in a formal international competition. It has diversifed artistic styles： frstly, the composer integrated the characteristics of Western and Japanese modes into Chinese pentatonic national tones to form his own melodic language; secondly, he shaped the orchestration style which was similar to Western impressionism in the early 20th century. Thus, this piece has established its unique position in the history of Chinese symphony.