摘要
在中国古代书法史上,关于书法某一命题的争论反复地出现,似乎是简单的重复。将这些现象和论争的人物放到历史和社会文化大背景下,结合哲学、美学、社会思潮、中国传统批评思维方式等进行综合分析,可以看到它们是螺旋式上升发展的,并非简单的重复,能引导书法理论研究向更高层次发展。
In the history of ancient Chinese calligraphy, the controversy over a certain proposition of calligraphy appeared repeatedly and appeared to be a simple repetition. Putting these phenomena and controversial characters into the historical and socio-cultural context, combined with a comprehensive analysis of philosophy, aesthetics, social trends of thought, and traditional Chinese critical thinking patterns, we can see that they are spiraling up and developing, which are not simply repeating, but to guide the study of calligraphy theory to a higher level of development.
出处
《艺术探索》
2018年第4期15-22,共8页
Arts Exploration