当代俄罗斯维尔巴基姆戏剧与乌拉尔戏剧的纪实性

The Documentary Feature of Verbatim Drama and Ural Drama in Contemporary Russia

纪实性是当代俄罗斯"新戏剧"的最主要特征之一。作为当代俄罗斯"新戏剧"两大主要阵营的维尔巴基姆戏剧与乌拉尔戏剧在纪实性的表现上有同有异。两大阵营在否定剧本的神圣性和综合美学方面表现相同;在主题和人物、创作过程、时空艺术、情节结构、人物语言、演出形式、作者立场和社会职能上表现不同。其相同表现与当代俄罗斯文化中的"新纪实"思潮有关,体现出当代俄罗斯知识分子身份重构的意识;其相异表现则与两大阵营的发展根源和创作理论不同相关。

The documentary feature is one of the main features of Contemporary Russian＂New drama＂. It has similar and different manifestations in the two drama camps of Russian＂New drama＂—Verbatim Drama and Ural Drama. The manifestations are consistent in denying the sacredness and comprehensive aesthetics, and different in the creative process, themes and characters, space and time art, plot structure, character language, performance style, the author＇s position and social functions. The similar performance is related to the ＂New Documentary＂thought in contemporary Russian culture, which ref lects the awareness of contemporary Russian intellectuals ＇ identity reconstruction. The different performance is related to the different origins and creative theories of the two camps.