摘要
戏曲是一门综合性艺术,它集唱、演、音乐、舞台动作等因素于一体。明清时期是中国古典戏曲最繁荣的时期,特别是明清传奇的出现,更是将中国的古典戏曲推向高峰。《牡丹亭》《长生殿》是传奇的代表作,同时也是这个时期魂旦戏的代表。魂游这一情节在剧中有重要的地位,蕴含着"至情"理论、佛教和道教思想,体现了充分的女性意识。
Opera is a comprehensive art, which combines singing, performance, music, stage action and other factors. The Ming and Qing dynasties were the most prosperous period of Chinese classical opera. In particular, the emergence of the legend in the Ming and Qing Dynasties pushed the classical Chinese opera to its peak. Peony Pavilion and Palace of Eternal Youth are mas- terpieces of legend, and also the representatives of the ghost opera in this period. The plot of spiritual tour has an important posi- tion in the play, which contains the theory of "supreme emotion", Buddhism and Taoism, and fully reflects female consciousness.
作者
李寅生
胡艳菊
LI Yinsheng;HU Yanju(College of Chinese Language and Literature,Guangxi University,Nanning 530004,China)
出处
《钦州学院学报》
2018年第9期32-37,共6页
Journal of Qinzhou University
关键词
牡丹亭
长生殿
魂游
Peony Pavilion
Palace of Eternal Youth
Spiritual Tour