僧传文学视域下元代塔铭文的高僧角色

Monk's Role in the Ta-ming of Yuan Dynasty from the Perspective of Monk's Biography Literature

元代塔铭以高僧大德为传述对象,同时有着虚构和想象的成分,可视为僧传文学的类型之一,是深具史传叙事传统的佛教传记文学。史传叙事的现实性与尚实品格以及僧传文学的宗教性与写作意图,使元代塔铭中的高僧具有神人同体的形象特征。读者是塔铭的接受主体,也是塔铭撰写的最终指向。元代塔铭撰者在撰文过程中采取修辞策略以明高僧神异之不诬,有助于读者在阅读中获得真实感,达到对高僧崇高形象的心理认同,进而在读者接受的维度实现塔铭文的写作意图。

In the Yuan Dynasty, Ta Ming, which has the composition of fiction and imagination, can beregarded as one of the types of monk＇s biography literature, and it is a Buddhist biography literature with ahistorical narrative tradition. The realistic character of the historical biography with the religious and writing intentions of monk＇s biography literature makes the monks in the Ming Dynasty of the Yuan Dynastyhave the image characteristics of human nature. Readers are the recipients of taming and the final directionof TA Ming＇s writing. In the process of writing the article, the writer adopted the rhetorical strategy inthe process of writing the text to help the readers to gain the true sense of the reading, to achieve the psychological identity of the lofty image of the high monk, and then to realize Ta Ming＇s writing intention inthe dimension of the reader＇s acceptance.