摘要
《真理城》是"谢拉皮翁兄弟"团体主要代表作家隆茨创作的一部反乌托邦戏剧,一定程度上受到了扎米亚京小说《我们》的影响,同时也开创了俄罗斯反乌托邦戏剧之先河。本文对两部作品进行比较,阐析了其中"我"与"我们"、记忆与爱情、熵与异端者、"绿色大墙"与"海市蜃楼"四个方面的主旨含义,同时揭示隆茨对扎米亚京创作手法的继承与创新。
The City of Truth is a dystopian play written by Lunts -- a representative writer of ＂the Serapion Brothers＂ which is affected by the Zamyatin＇s novel We to some extent, and pioneered the Russian dystopian drama. This paper compares the two works, expounds the mian ideas of ＂I＂ and ＂We＂, memory and love, entropy and heresy, ＂Green Wall＂ and ＂Mirage＂, and reveals Lunts＇s inheritance and innovation of Zamyatin＇s creative techniques.
出处
《俄罗斯文艺》
CSSCI
2018年第4期90-97,共8页
Russian Literature & Arts
基金
2018年度黑龙江省社会科学研究规划项目"20年代苏俄转型背景下隆茨戏剧革新研究"(18WWB12)阶段成果
