摘要
诗经学上"先诗后乐"、"能诵且歌"已经成为定论,所以诗的生成、诗的配乐成为古今诗经学研究的重要课题。采诗、献诗之说建筑了诗歌艺术史上的第一座高峰,形式由简单变得复杂,题材越来越广泛,涵量越来越大,主题越来越深刻。乐律既生,语律则定,以五声辨音、以八音定调,辞表意,律传情,奠定了中国诗歌音律美学的基本体系。
The principles of "poetry after poetry" and "can recite" and "song" have become a conclusion. Therefore, the generation of poetry and the music of poetry has become an important subject of the study of Book of Songs in ancient and modem times. The introduction of poetry and poetry has built the first peak in the history of poetry. The form is complicated by simplicity, with more and more extensive in subject matter, and more and more profound in the subject. The musical temperament is born and the language is fixed. The five tone discrimination, the eight tone tuning, the diction, and the law convey the basic system of Chinese poetry's rhythm aesthetics.
作者
周义平
ZHOU Yi-ping(Department of basic theory,Party School of Zhuzhou Municipal Committee of CPC,Zhuzhou 412008,China)
出处
《嘉应学院学报》
2018年第9期68-72,共5页
Journal of Jiaying University
关键词
诗经
采诗
献诗
乐律
合乐
Book of Songs
poetry and music
for music
temperament
instrumental ensemble