摘要
本文以岩画研究中的断代问题为探讨要素,追溯了国内外岩画研究中直接断代和间接断代的方法,并以我国将军崖岩画为例,通过微腐蚀断代的方法获取了将军崖岩画中23个图像的年代,推断出将军崖岩画并非在一个时期内完成,它的制作是一个持续几千年的过程。在此基础上,结合将军崖岩画所在区域的考古学文化类型,通过对应年代的社会文化背景初步分析了将军崖岩画中相关图像的意涵。
This paper discusses the dating in rock art research and traces back to the direct and indirect dating methods in rock art research at home and abroad.Taking Jiangjunya rock art as an example and using micro-erosion dating method,the paper identifies the time of 23 paintings of Jiangjunya rock art and infers that the rock paintings were not completed within the same period,and their making lasted for thousands of years.According to the type of archaeological culture of the location of these rock paintings,the paper makes a preliminary analysis of the connotations of the rock paintings based on the social and cultural background of the corresponding ages.
作者
张嘉馨
ZHANG Jia-xin(School of Ethnology and Sociology,Minzu University of China,Beijing 100081)
出处
《中央民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第5期69-77,共9页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
基金
第63批中国博士后科学基金"将军崖史前岩画研究"(项目编号:2018M630265)
2018年国家社科基金青年项目"海峡两岸岩画比较研究与文化认同"(项目编号:18CMZ029)阶段性成果
关键词
将军崖岩画
断代方法
微腐蚀断代
年代学
Jiangjunya rock art
dating method
micro- erosion dating method
Chronology