从紫禁城长春宫正殿彩画解读明代官式彩画之渐进

A Study on the Development of Official Colored Paintings on Wooden Structure of Ming Dynasty as Exemplified in Changchun Palace in the Forbidden City

在现场勘测的基础上采用历史考古学的方法,结合紫禁城同时期钟粹宫案例,对长春宫正殿明代早晚期彩画构图与纹饰特征的渐变进行对比分析,以完善明代官式彩画的研究。

This paper adopts the method of historical archaeology and uses the example of Zhongcui Palace built in the same period to study the development of composition and decorative patterns of Changchun Palace in early and late Ming dynasty, respectively, aiming to improve the study of official colored paintings in Ming dynasty.