摘要
本文把改革开放40年以来中国电影美术在几代电影人中的创作分成四个主要发展方向,通过对他们各自的艺术观念、代表作品及其前后更替的分析,构建出当代中国电影美术整体的美学结构。
In this paper, Chinese film production design in past 40 years of Reform and Opening-up has been divided into four main development directions. Through the analysis of their artistic concepts, their representative works and their development path, the overall aesthetic structure of contemporary Chinese film production design has been constructed.
出处
《电影艺术》
CSSCI
北大核心
2018年第5期46-52,共7页
Film Art
基金
北京交通大学基本科研业务费人文社会科学专项基金项目"国际前沿美学视野下的中国电影视觉造型创新研究"的阶段性成果(批准号:2018JBWB006)
关键词
改革开放40年
中国电影美术
40 Years of Reform and Opening-up
Chinese film production design
