从蒙德里安红黄蓝格子画看艺术理论对景观设计的影响

The Infl uence of Art Theory on Landscape Design Illustrated by the Case of Mondrian Composition With Red, Blue, and Yellow

蒙德里安的红黄蓝格子画将抽象的点、线、面要素和红黄蓝三原色进行组合,展现对秩序和平衡的追求。以格子画中体现的艺术理论为基础,提取出构图上面的共同性,色彩的相关性,空间的异质性特征。本文通过研究蒙德里安格子画中艺术理论和景观设计的相互关系,研究艺术理论在景观设计中的表达,并结合相关案例尝试为我国特色景观设计提供有益思考。

Mondrian＇ s Composition with Red, Blue, and Yellow combines abstract points, lines, area elements and tricolor to show the pursuit of order and balance. Based on the art theory embodied in Composition with Red, Blue, and Yellow, the commonality, color correlation and spatial heterogeneity of the composition are extracted. This paper studies the relationship between the art theory and landscape design in Mondrian＇ s Composition with Red, Blue, and Yellow, for further exploring the expression of art theory in landscape design, and combines relevant cases to try to provide useful thinking for landscape design in China.