摘要
陈寅恪先生曾言：
一时代之学术,必有其新材料与新问题,取用此材料,以研求新问题,则为此时代学术之新潮流。治学之士,得预于此潮流者,谓之预流（借用佛教初果之名）。其未得预者,谓之未入流。此古今学术史之通义,非彼闭门造车之徒,所能同喻者也。
Interpretation of Thirteen Hongs’ images of Qing dynasty inclines to art and social culture influenced by Chinese export artwork and port history research. It is a reasonable result of interest multivariant and field deepening while research is getting further away from the founder’s original purpose. The crux of the Thirteen Hongs’ matter is introspection of Hong merchants’ success and failure. And the spiritual connotation of image materials is economy system while art and social culture the external characteristics. Only through substantial melting of economy connotation and social culture characteristics as well as theoretical construction of iconology,the historical writing of Thirteen Hongs’ images can reach a new high.
出处
《海洋史研究》
CSSCI
2017年第2期238-260,共23页
Studies of Maritime History
基金
2013年广州市哲学社会科学发展“十二五”规划项目“塞勒姆与广州:清代十三行与早期中美关系研究”(13012)的阶段性研究成果
关键词
史料
图像
清代
学术史
新材料
潮流
Thirteen Hongs
Image Materials
Hong Merchant System
Iconology
