从作者论解读李安电影中的文化特质

An Interpretation of Ang Lee's Movies from the Perspective of the Author Theory

从1991年的《推手》到2007年的《色·戒》,李安电影类型的多样组合风貌说明了李安电影的独特性格。在当代"美学―政治"的配置中,李安电影的文化特质代表一种融合的、跨文化的以及反思人性的美学情怀。透过人性的共同思维与感受,李安浓厚的人文主义艺术思想已超越了单一国家的限制。李安的电影,不仅再现了全球化下电影工业的特殊发展模式,同时也创造了文化流动与整合跨界的后现代视觉空间。

From the movie Pushing Hands released in 1991 and Lust· Caution in 2007, Ang Lee’ s moviegenre showed the crossover character of his movie. In the contemporary “political aesthetics”configuration,cross-character in Ang Lee’ s movies reflected an intergrated and cross-cultural human aesthetic feelings. Andthrough the common thinking and feeling of human nature, the director philosophy of Ang Lee’ s“humanism”thought of movie art has already exceeded the single national boundaries. Ang Lee’ s movies not onlyreproduced the special development mode of the movie industry under globalization, but also created the post-modern visual space of cultural flow and integration across the border.