摘要
"重写中国电影史"在近年来不断被中国电影史学界提及,借此机会,笔者选择上海"孤岛"电影作为研究对象,通过以史带论、史论结合的方式来探讨女明星与电影产业格局之间的共生性关系,即女明星如何推动新的电影格局的形成,以及新的电影格局给女明星带来的新变化。文章从目前普遍的个案性的研究方式中跳脱出来,以一种更为宏观的角度来分析上海"孤岛"新的电影产业格局的产生,以期对目前史学界关于"孤岛"电影研究的丰富性和完整性有所助益。
"Rewriting the history of Chinese film"has been constantly mentioned by Chinese historians in recent years. This essay takes this opportunity to explore the symbiosis between female stars and film industry by combining history and interpretations with Shanghai"Gudao"films as the case study,that is,how female stars pushed forward the new film pattern,and what new changes the new film pattern brought for the female stars. This essay analyzes how the new pattern of film industry in Shanghai emerged with a more macroscopic perspective and it is beneficial to the studies of"Gudao"films in current historical circles by rendering it a certain richness and integrity.
出处
《贵州大学学报（艺术版）》
2018年第5期42-50,共9页
Journal of Guizhou University Art Edition
