摘要
农村审美文化在能指与所指的剥离中回归现实语境的一个重要前提,是需要建构自我的审美符号体系,使其成为农村审美文化传播的符码。农村审美文化的符号体系建构,首先是农村生产、生活景观的符号化,其次是通过艺术形式的符号化再生产、艺术情感的符号化蕴藉及艺术理解的符号化阐释而实现的农村艺术符号的创造,再次就是依托审美仪式符号的确定、审美仪式行为的操演和审美仪式功能的形成而实现的审美仪式的建构。
an important premise for the rural aesthetic culture to return to the real context in the separation of signifier and signified is the need to construct the aesthetic symbol system of self and to make it the symbol of rural aesthetic culture transamission. As for the rural aesthetic cultural symbol system construction, the first is the symbolization of rural production and living landscape. The second is the realization of rural art symbol creation through the symbolized reproduction of art form, the symbolization of artistic emotion and symbolic enterpretation of art understanding. The third is to achieve the construction of aesthetic ceremony by relying on the determination of aesthetic ritual symbols, the performance of aesthetic ritual behavior and the formation of the aesthetic ritual function.
作者
刘新敖
Liu Xin'ao(Hunan City College,Yiyang 413000,P.R.China)
出处
《江西科技师范大学学报》
2018年第4期114-118,共5页
Journal of Jiangxi Science & Technology Normal University
基金
教育部人文社会科学研究青年项目"农村审美文化的生成机制及建设途径研究"(编号:15YJC751029)的阶段性成果
关键词
审美文化
艺术
景观
符号
仪式
aesthetic culture
art
landscape
symbols
ceremony