《红楼梦》色空观的情节结构体现

A Dream of Red Mansions' Visionary View of the Plot Structure Embodyment

从宏观角度考察,《红楼梦》有"色空"的哲学思辨,体现于"因空见色,由色生情,传情入色,自色悟空"四句。这种"色空"哲学又是以绝对文学式的表现展示出来的,隐含于作品的结构和情节中。前五回的结构性暗示,表明作者的主观意图是"色空";贾宝玉一生的"悟空"经历,则是"色空"的生动展示。用"无比精彩的感性世界"来"思索所有人都无法回避的生存困境"是《红楼梦》一个非常突出的特点。

From the macroscopic perspective, A Dream of Red Mansions has philosophy analysis of ＂visionary view＂, which embodies in ＂ all shapes of the world, emotion coming from the world, everything in the world having mer- cy and merciless everything being empty＂. However, this kind of ＂visionary view＂ philosophy is shown by the perfor- mance of absolute style of literature, and it implies in the structure and plot of the works. The plot implication of the first five chapters shows that the author＇s subjective intention is ＂visionary view＂. It shows ＂visionary view＂ vividly through the dreamlike experience of Jia Baoyu＇s whole life. It is A Dream of Red Mansions＇ prominent characteristics that the au- thor uses wonderful subjective world to explore the plight of existence of men avoiding impossibly.