20世纪音乐史的真正“原点”——塔鲁斯金“泛”论新古典主义

The Real “Origin” of the History of Twentieth-Century Music:Richard Taruskinon Neoclassicism

塔鲁斯金视一次世界大战后逐步流行全欧的新古典主义为20世纪音乐史的"真正"原点。他站在现代主义的高度,拓展了新古典主义的定义,不单涉及音乐风格,也辐射至音乐表演、音乐批评、音乐学方法论、音乐与哲学、音乐与政治等议题。本文从塔鲁斯金对新古典主义的讨论切入,剖析他书写20世纪音乐史的四重特点:与思想史(尤其是主体性问题)挂钩;细读与互文兼具的文本分析;对音乐社会话语的捕捉;与当下(后冷战美国)的关联视角。

Richard Taruskin considers that the real origin of the history of Twentieth Cen tury music was the neoclassicism popularized in Europe after the First World War.From the perspective of modernism, he extends the definition of neoclassicism not only to refer to musical style but also to issues including music performance, music criticism, the methodology of musicology, music and philosophy, and music and politics.This paper will introduce Richard Taruskin＇s discussion about Neoclassicism, and focus on four charac teristics of his writing style about the history of Twentieth Century music：linking music with intellectual history（particularly the issue of subjectivity）;textual analysis combined with close reading and intertextuality;capturing the discourse of musical society;associa ting with current circumstances（such as America in the post Cold War era）.