摘要
The category of＂customs,＂ or the Song dynasty in writing local histories was important for the literati of It covers local practices of festival rituals, weddings and funerals, rites for passage into adulthood, sacrificial rites, and the like. The main purpose behind the literati＇s efforts to record /bngsu was not to acknowledge local variations but to censor local customs and transform society. This paper looks at these type of texts as a discourse that is meant to promote the correct, standard performance of rites and suppress those deemed improper. It uses boat racing in Song records of/bngsu as a case study to illustrate how the imperial spectacle of boat racing in spring was propagated and how the linkage between the death anniversary of Qu Yuan and Duanwu were reinforced. Meanwhile, the popular ritual of boat racing during the summer, which bore distinct violent and shamanic attributes, was strongly criticised. Through these efforts by the literati, a normative discourse of the boat-racing ritual was repeated and reinforced in the fengsu recording
The category of＂customs,＂ or the Song dynasty in writing local histories was important for the literati of It covers local practices of festival rituals, weddings and funerals, rites for passage into adulthood, sacrificial rites, and the like. The main purpose behind the literati＇s efforts to record /bngsu was not to acknowledge local variations but to censor local customs and transform society. This paper looks at these type of texts as a discourse that is meant to promote the correct, standard performance of rites and suppress those deemed improper. It uses boat racing in Song records of/bngsu as a case study to illustrate how the imperial spectacle of boat racing in spring was propagated and how the linkage between the death anniversary of Qu Yuan and Duanwu were reinforced. Meanwhile, the popular ritual of boat racing during the summer, which bore distinct violent and shamanic attributes, was strongly criticised. Through these efforts by the literati, a normative discourse of the boat-racing ritual was repeated and reinforced in the fengsu recording
