摘要
麦积山石窟第23窟彩绘女供养人,并非此前认定的北魏原作或隋代重绘,而是北周重绘,在服饰特点和人物组合配置方面充分体现出当时胡汉融合的特殊社会历史风格,真实再现了秦州地区北朝贵族女性礼佛场景。
The female donor figures in cave 23 at the Maijishan Grottoes are neither original works of the Northern Wei dynasty nor statues repainted during the Sui dynasty, as has previously been considered, they are rather works repainted in the Northern Zhou dynasty. The characteristics of the costumes and the combination of the figures fully reflect the special social and historical style of a time when Han Chinese and non-Han peoples mixed together and vividly exhibit scenes of Northern Dynasties noble ladies paying tribute to the Buddha in Qinzhou region.
作者
曹小玲
孙晓峰
CAO Xiaoling;SUN Xiaofeng(Maijishan Grottoes Art Research Institute,Dunhuang Academy,Tianshui,Gansu 741020)
出处
《敦煌研究》
CSSCI
北大核心
2018年第5期38-45,共8页
Dunhuang Research
基金
甘肃省文物局2016年度省级文物保护和科学研究课题"秦州北朝至隋唐时期胡人图像研究"(GWJKT2016[18])
关键词
麦积山石窟第23窟
女供养人
时代
cave 23 at the Maijishan Grottoes
female donors
dating