摘要
妇女主题博物馆是客观实在性与文化表征性的统一,是一种以女性为中心的表征系统与空间实践,可被视为女性主义异托邦。在菲勒斯文化主宰的空间里,妇女主题博物馆不仅预设了一个普遍的女性主体——"妇女",而且生产了偏离菲勒斯中心主义、构成异托邦的文化。妇女主题博物馆是一个双极性的空间,具有幻象性与真实性,其作为部分实现了的乌托邦,通过话语的"连接"、"观看"的实践以及对空间的生产超越了乌托邦的想象层面。
The women-themed museum as a unity of objective reality and cultural representation is a female-centered representation system and practice of space; it can be viewed as a feminist heterotopia. In the space dominated by Phallocentrism, the women-themed museum not only presupposes a universal female subject, ＂women＂, but also produces a culture that deviates from the Phallocentrism and constitutes a heterotopia. The women-themed museum is a bipolar space with illusion and authenticity. It is a partially realized utopia, transcending the utopian imagination through conversational ＂connection＂, the practice of ＂viewing＂, and the creation of space.
作者
傅美蓉
FU Mei-rong(School of Literature and Communication,Xianyang Normal University,Xianyang,Shaanxi 712000)
出处
《东南文化》
CSSCI
北大核心
2018年第5期121-126,共6页
Southeast Culture
基金
国家社科基金项目"博物馆场域下的性别表征
知识生产与文化实践研究"(15BZW033)阶段成果
