杭剧《龙凤锁》改编的现代性悖论——兼论濒危小剧种的保护与传承路径

The Paradox of Modernity in the Adaptation of Hang Opera The Locker of Dragon and Phoenix——Also on the Path of protection and inheritance of endangered Operas

新编杭剧《龙凤锁》在改编中删除了打情骂俏的"借红灯"情节,对民间话语的"俗趣"进行了高度"提纯"和"净化",造成了民间性流失;改丑角戏为生旦戏,表演、唱腔向大剧种越剧靠拢,丢失了剧种自身的特质;在传统爱情戏的框架中,努力调和现代启蒙思想,使主题呈现出不可避免的现代性悖论。《龙凤锁》面临的改编困境是传统剧目改编时遇到的普遍性问题,不解决这个问题,就很难实现传统戏曲的现代转型和突围。

In the adaptation of the new Hang Opera The locker of dragon and phoenix, the plot of ＂ borrowing the red light＂ of flirting was deleted, and the ＂ vulgar interest＂ in the folk discourse was highly ＂purified＂ and ＂ cleansed＂ , the civil nature was also lost. The leading role was changed from clown buffoon to male and female, the performance, singing closing to the big opera Yue Opera, Hang Opera was lost its own characteristics. Trying to harmonize modern enlightenment thought with traditional love play, the theme of The Locker of dragon and phoenix presents the inevitable paradox of modernity. The dilemma of the adaptation of The Locker of dragon and phoenix is a common problem en- countered in the adaptation of traditional plays. Without solving this problem, it is difficult to realize the modern transformation and breakthrough of traditional operas.