宋代后妃的孝悌观念及其图像表现

The Study of the Conception of Filial Piety and Images Expression of the Queens of the Song Dynasty

"孝"是中华民族整体文化品格中的核心范畴,在气势撼人的历史长河中,有着极为重要的地位和影响。在"以孝治天下"的两宋,历时三百余年,既无汉代王氏之患,更无唐代武、韦宫闱祸乱,这与士大夫政治及严守孝道的后妃群体密切相关。宋代后妃群体的孝道,在图像方面即有明显的体现。大体而言,宋代后妃图像从冠饰、面妆、礼服、座椅等方面,真实展现了大宋皇室礼仪制度中蕴含的后妃之德及孝道伦理。在创作手法上,既学习继承顾恺之、陆探微、张僧繇、曹仲达、吴道子之体,又具有鲜明的时代特征。

＂ Filial piety＂ is the core category of the overall cultural character of the Chinese nation. It has an extreme- ly important position and influence in Chinese history. In the Song Dynasty, people were ruled by filial piety concep- tion. There was no conspiracy of the WANG Mang of the Han Dynasty, no was there any disaster of the queen WU and queen WEI of the Tang Dynasty during 300 years of the Song Dynasty. It was closely related to the politics of the scholars and the filial piety conception of the Queens. The conception of filial piety was clearly reflected in the images of the queens of the Song Dynasty. In general, the images of the queens showed the filial piety ethics contained in the Royal etiquette system of the Song Dynasty from the aspects of the Crown Decoration, the Facial Make - up, the Full Dress, and the Throne. In terms of creative technique, not only did they inherit the styles of GU Kai - zhi, LU Tan - wei, CAO Zhong - da, and Wu Dao - zi, but also have distinctive characteristics of the Song Dynasty.