体验式文化展演的空间生产与记忆建构——以《又见敦煌》为例

Space Production and Memory Construction of Experiential Culture Performance: A Case Study of "See Dunhuang Again"

旅游景点的文化展演空间作为国家和地域文化空间的重要类型之一,承担着文化传播的重要功能。《又见敦煌》打破了以往文化展演的传统形式,以观众的空间体验为关注点,从剧场的实时空间,文本的历史时空,观众的心理空间几个层面进行着空间的建构与生产,恢复和重构了敦煌的历史文化空间,为观众构建了"集体记忆"的文化框架,对于我们解读文化传播与记忆建构之间的关系具有特殊价值和意义。

The culture performance space of tottrist attractions is one of the important types of national and regional cultural spaces, and it bears the important function of cultural communication. ＂See Dunhuang Again ＂ breaks the traditional form of cultural performances in the past, focusing on the audience＇s spatial experience, and constructing and producing space from the real -time space of the theater, the his- torical space and time of the text, and the psychological space of the audience. And reconstructing the historical and cultural space of Dun- huang, constructing the cultural framework of ＂collective memory＂ for the audience, and exploring the spatial production of cultural perform- ance has special value and significance for us to interpret the relationship between cultural communication and memory construction.