摘要
扬州刺绣,趋"绘"成名,近现代以来以表现文人书画作品为题材的水墨写意绣在绣坛成就斐然、独树一帜,本文沿着扬州刺绣的历史文脉,通过梳理文献史实,从历史学视角透过扬州刺绣从功能多元的工艺品走向艺术欣赏品、从与绘画的关系从各自游离到渐趋渐近以至近现代完全依附于绘画作品的形式的表象,探析这其中功能和形式的转化背后的文化意义以及存在的问题。
Yangzhou Embroidery was famous by its painting - like aspect. Many famous painting works was shown in Yangzhou Embroidery. This article tries to make a conclusion to the cultural meaning and problems by analyzing Yan- gzhou Embroideryg developing path from multi -function craft to artwork, from the closer and closer relationship and entanglement between craft and painting artwork
作者
王笙渐
赵芳
WANG Sheng-jian;ZHAO Fang(Art and Design Institute,Yangzhou University,Yangzhou,Jiangsu 22500)
出处
《艺术百家》
CSSCI
北大核心
2018年第3期240-244,共5页
Hundred Schools In Arts
基金
2015年度江苏省高校哲学社会科学研究一般项目"扬州刺绣保护传承和开发利用"(项目编号:2015SJB795)阶段性成果之一