中国巫性美学:作为文化哲学的美学

Aesthetics of Chinese Sorcery: An Aesthetics as Cultural Philosophy

巫是拜神与降神、媚神与渎神、畏天与知命、灵力与人智的有机结合和妥协。巫性,处于神性与人性、巫性崇拜与诗性审美之际,是新创的一个审美人类学的学术范畴。中国巫性美学,介于神性美学与人性美学之际,是以文化人类学、文化哲学关于巫学的视野与进路,以巫性为主要研究对象的中国美学的新品类。巫性与诗性的关系,既二律背反,又合二而一。

Sorcery, superstition and reason interact with each other, where confusion is accompanied with sobriety as depression with dignity and worship with aesthetics. Sorcery is an organic combination and compromise between worship and surrender, flattery and blasphemy, fear of heaven and knowing fate, spirituality and human intelligence. Sorcery, intervenient between divinity and humanity, is a newly created academic category of aesthetic anthropology, and Chinese sorcery aesthetics is a new branch of Chinese aesthetics, which takes cultural anthropology and cultural philosophy on witchcraft as its academic vision and approach, and takes sorcery as its main research object. Sorcery and poetry is not only paradoxical but also integrated.