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戏曲化的陷阱——兼评滇剧《水莽草》

The Dramatized Trap: Review of Yunnan Opera Shui Mangcao
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摘要 由玉溪市滇剧院创作演出的滇剧《水莽草》是一部从创作思路到舞台呈现都高度戏曲化的作品,但其在追求戏曲化的简约情节的同时却流于叙事的单薄。面对这样一部高度戏曲化的,但却并不是传统民间形态的现代剧场艺术作品,我们也许更应该思考的是"符合戏曲艺术的规律"和一部"符合现代审美"的作品之间的距离,对"戏曲化"过度的理论关注很可能会削弱戏曲应有的叙事性。 The Yunnan Opera Shui Mangcao (Water Rank Grass) , created and perfomled by Yuxi YunnanOpera Troupe, is a highly - dramatized work in terms of creation idea and stage interpretation. While pursu-ing dramatized and simple plot, however, the nan'ation is tenuous. In regard to this highly - dramatizedmodem theatrical art work, which is not in the tradition folk form, we should consider the distance between"the accordance of opera arts" and "the accordance of modern aesthetics" in an opera work while over-concern on the theory of "dramatization" can decrease the narration that opera should have.
作者 孙红侠 Sun Hongxia
出处 《民族艺术研究》 2018年第5期15-18,共4页 Ethnic Art Studies
关键词 《水莽草》 滇剧 戏曲化 叙事性 Shui Mangcao Yunnan Opera dramatization narration
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