吴越武丘山寺弥陀塔如意装饰浮塑考

Investigation on Ruyi Decoration of Floating Plastics in Pagoda on Wuyue Mountain Temple

中国传统装饰纹样"如意"被广泛使用,历史悠久,它不仅代表着民族文化在发展过程中的纹饰变化,也是文化实质发展的表象之一。文章以武丘山寺弥陀塔内的如意纹样为背景研究,通过对实物遗存与文献资料的研究,从宗教、文化属相和装饰性两个角度双向对比考证,解读弥陀塔内如意装饰浮塑的文化属向与宗教意义,从装饰性角度对如意浮塑进行分类与总结。在唐型文化与宋型文化背景下,对如意装饰纹样进行横向与纵向对比。

The Chinese traditional decorative pattern ＂Ruyi＂ is widely used and has a long history. It not only represents the decorative pattern＇s change of the national culture in the development process, but also one of the manifestations of cultural development. Based on the background study of Ruyi patterns in the Tiger Hill Tower, this paper makes a two-way comparison between religion, culture and ornament through the study of the relics and literature, and interprets the cultural and religious significance of Ruyi decorative sculptures in the Tiger Hill Tower. Then the Ruyi ornamental patterns are classified and summarized from the perspective of decoration. Under the background of Tang culture and Song culture, horizontal contrast and vertical contrast are made for Ruyi decorative patterns.