中国现代早期美学体系化的尝试——重审滕固美学探索的历史意义

An Attempt to Systematize Early Modern Chinese Aesthetics——Reexamining the Historical Significance of Teng Gu's Aesthetic Exploration

在中国现代早期美学研究者当中,滕固最早尝试将中国传统美学、艺术学理论置于现代西方美学理论体系中加以梳理。他力图在新的语境下将之进行体系化、科学化的改造。尽管他的研究由于其忽然去世而中断,导致他没能如愿完成确立艺术学学科地位和赋予中国传统艺术研究以现代美学范式的工作。但他的前期成果为当代学界建立具有中国风范的当代美学、艺术学理论体系留下了宝贵的资料,具有较为重要的借鉴意义。

Among the early modern Chinese aesthetics researchers,Teng Gu was one of the earliest scholars who tried to analyze traditional Chinese aesthetics and art theory in the modern western aesthetic theory system.He tried to make traditional Chinese aesthetics systematic and scientific in the new context.His research was interrupted by his sudden death,which led to his failure to complete the work of establishing the status of art as a discipline and endowing traditional Chinese art research with a modern aesthetic paradigm.However,his early achievements have left valuable materials for the establishment of contemporary aesthetics and art theory system with Chinese style in the contemporary academic circle,which has important reference for us.