摘要
玛格丽特·杜拉斯拥有混杂性的文化身份,她通过回忆和想象塑造了独特的"东方形象"。杜拉斯作品中对"东方形象"和"东方形象"中情人形象的建构,是创作者主体情感和意识形态的混合物。分析杜拉斯系列作品对"东方形象"的描述,梳理其中情人形象的嬗变过程及文化意义,剖析作家笔下的"东方形象"的历史性和复杂性,揭示杜拉斯的文化身份认同及前后期创作中注视者的情感变化。
Marguerite Duras has a mixed cultural identity. She created unique images of the East through recollection and imagi- nation. The construction of oriental alien images and lover images in Duras' works is a mixture of the main emotion and ideology of the creator. This paper analyzes the description of the foreign images of the Orient in Duras series, combs the evolution process and cultural significance of the images of lovers, and explores the historical and complex oriental images depicted by the writer. It reveals the cultural identity of Duras and the emotional changes of the watchers in her works.
作者
曾丽华
ZENG Li-hua(College of Chinese Language and Literature,Jimei University,Xiamen 361021,China)
出处
《集美大学学报(哲学社会科学版)》
2018年第4期70-75,共6页
Journal of Jimei University:Philosophy and Social Sciences
关键词
杜拉斯
东方形象
情人形象
Marguerite Duras
oriental image
lover image