论纪录片“摆拍”之意义受众

On the Recipient of “Reconstruction” in Documentary

接受者作为受述主体,在"摆拍"型纪实性文本的解读中是想象者,而在伴随文本系统中是被影响者;接受者解读纪实性文本,在文本意义传输链条上贯穿始终。叙述主体的"摆拍""虚构"考察了接受者的视野期待,而叙述文本在传播过程中依赖读者的解读;含有虚构成分的"摆拍"能否被接受者接受,纪录片的"摆拍"是否应该继续,也依赖于受众的"期待"。纪录片的"摆拍"可以看作是一场创作游戏,而解读这场游戏的主角是接受者,接受的挑战是对纪实性文本中虚构成分的解读。

The recipient, as the the subject, is the reader who depends on imagination in the interpretation of the ＂reconstruction＂ in non-fictional text, and is affected by accompanying text system. The recipient interprets the non-fictional text tbroughout the text meaning transmission chain. The narrative subject of ＂reconstruction＂ and ＂fiction＂ examines the recipient＇ s visual expectations, while the narrative text relies on the reader＇ s interpretation in the process of comnmnication; whether the ＂reconstruction＂ with the virtual component can be accepted by the recipient and the construction should continue or not,recipients depend on the ＂expectation＂. The ＂reconstruction＂ of the documentary can be seen as a creative game, and the protagonist of the interpretation to the game is the recipient. The challenge is to interpret the virtual components in the non-fictional text; the analysis will start from the the genre ＂expectation＂.