晚清女性战乱诗抒情的性别化与个人化

Gender Features and Personalization of Women's War-Torn Poetry in the Late Qing Dynasty

晚清女性战乱诗是在鸦片战争和太平天国战争等战乱背景下产生的,主要是对作者在战乱中的旅行、疾病、饥饿、亲族丧乱的书写,以及愤恨、忧愁、伤痛、迷茫等情感的抒发。相比同时代男性诗人的战乱诗,其书写更加细节化,情感因而更加细腻;在对战事的书写、对亲人的悼亡中,其情感往往显得不可抑制;她们往往在同一首诗中寄寓多重感情,呈现出"复调式"的特点。这种特有的视角,使其在战乱诗中的抒情呈现出明显的性别化特征和个人化倾向。

In the late Qing Dynasty, women＇ s war - torn poetrty originated from the background of wars such as the Opium War and the Taiping Heavenly Kingdom War. It was mainly about the author＇ s travels in the war, illness, hunger, family sorrow, the emotions of resentment, sorrow, pain, confusion and so on. Compared their poetry with those of male poets in the same period, their writings were more detailed and the emotions were more delicate; in the description of the war affairs and mourning for their beloved family members, their emotions often seemed overwhelmed; they often conceived muliple feelings in the same poem, showing the characteristics of ＂polyphonic＂. This unique perspective made the lyrics of war -torn poetry show obvious gender characteristics and personalization tendencies.