歌德作为创伤叙事的“世界文学”观（英文）

Goethe's Weltliteratur as a Trauma Narrative

比较文学界近来所推崇的"行星系"形态的文学在该学科过去二十年的发展中一直处于升温态势,并由此将歌德推至总工程师的位置。当下,部分学者忽略了歌德所处的时代与当今时代的重要差异,用歌德关于世界文学的思考来推断其特定的地缘政治。为了避免这种"伪装为全球主义的民族主义",有必要讨论促使歌德提出世界文学"课题"的个人与集体的创伤因素。无论是作为一名作家还是作为一名德国人,歌德在当时都面临困境。这是他为什么在两种身份下都视跨越边界的结盟为处理困境的最佳方式的原因,我们也有必要详细探讨歌德的世界文学思想中诸如此类的个人与国家因素。

The recent comparatist celebration of literature in the shape of ＂planetary system,＂ which is on the rise in the last two decades of the discipline＇s development,promoted Goethe to the status of its chief engineer.Disregarding important differences between Goethe＇s and our age,recent interpreters placed his idea of world literature at the service of their particular geopolitical projections.In order to avoid such ＂nationalism masquerading as globalism＂（Spivak）,I will focus on both personal and collective traumatic constellations,which generated Goethe＇s ＂project＂ of world literature.He felt stranded in his present as both a writer and German.This is why he,in both capacities,envisioned transborder alliances as the best method of coping with these frustrations.The paper investigates this personal and national investment in his idea of world literature in more detail.