“九·一八”事变后华北救亡戏剧宣传的困局与新生——以山西为例

The Dilemma and New Life of the Salvation Drama in North China after the September 18th Incident——A case study of Shanxi

"九·一八"事变后,华北各省区普遍出现了救亡戏剧的萌芽。但同时戏剧宣传呈现出困局,消极抗战的官方态度导致的剧团生存危机,急于事功的编演方针导致的"剧本荒"问题,教化式创作原则导致在宣传实效上呈现的困境。在抗日民族统一战线的推动下,文化界逐渐形成了"大众化"的戏剧创作原则和"集体化"的戏剧编演方针,戏剧宣传完成了由自发到自觉的转变,实现了由救亡呼号到抗战宣传的新生。

After the ＂ September 18 th＂ Incident,the buds of the national salvation drama appeared in North China.However,at the same time,drama propaganda presented dilemmas,namely,the official attitude of negative resistance to the war led to the survival crisis of the troupe,the ＂ script shortage＂ caused by the eager editorial policy,and the principle of educational creation led to a dilemma in the effectiveness of propaganda. Under the impetus of the anti-Japanese United Front in the cultural circles,the principle of ＂ popularization＂ of drama creation and the principle of ＂ collectivization＂ of drama production gradually formed. The drama propaganda completed the transition from spontaneity to consciousness,and realized the new life from the call for salvation to the propaganda of the Anti-Japanese War.