女性意识的书写:从缺失到觉醒——以元明清戏曲作品中的不同女姓形象群为例

Record of Feminist Conscioness: from Absence to Awakening——A case study of female images in drama works in Yuan,Ming and Qing Dynasties

中国古典戏曲对女性形象的塑造倾注了极大的热情,这其中女性意识成为一个重要的关注点。以元明清戏曲中不同女性形象群来观照女性意识,从中可看出,女性有屈服于家庭,失去自我,也有开始关注自我幸福,敢于追求情欲,再到主动关注社会并实现个体价值,这几种女性形象在戏曲史上交替呈现,其中所蕴含的女性意识正是缺失与觉醒交织、冲突,亦看出她们为寻求自我以及更深刻的人生追求与定位时面对命运的无奈、反抗、抉择的生命轨迹。

Chinese classical opera has devoted great enthusiasm to the shaping of the female image,in which the feminine consciousness has become an important concern. This paper takes three different groups of female images in Yuan,Ming and Qing opera to observe women＇s consciousness. It can be found that,whileyielding to the family and losing themselves,women also began to pay attention to self happiness,dared to pursue passion,then took the initiative to pay close attention to society and realize individual value. These female images are presented alternately in the history of traditional Chinese opera,and the female consciousness embodied in them is precisely the interweaving and conflict between absence and awakening. It also shows that they were facing the life trajectory of helplessness,resistance and choice of fate in their pursuit and orientation of self and happy life.